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However, it’s of no surprise that many have questioned, as a headphone only monitoring system, how this could possibly translate to the various levels of headphones available.
#Sonarworks vs waves nx pro#
Waves suggested that the product has been designed for their Pro community, defined as producers and DJs of all levels. It helped us to reinforce assumptions we had about our drums but it did not make those assumptions for us. In our case, some heavily distorted drums on a bus track worked well as comparison sounds when we contrasted our ideas with Peder Mannerfelt’s blissful “ Lucid in the Sky” and Perc’s hammering “ Toxic NRG“.
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There’s no surprise there but it was intriguing how stems could be analysed when applied to individual as well as grouped tracks. We found that while the results were interesting to test, it would be very hard to make surgical decisions using it. You could theoretically mix with it applied but we followed the companies own suggestion and used it as a reference to direct and assist our mix by toggling the bypass on/off on the master bus. It’s important to be clear that Abbey Road Studio 3 is designed to give users a monitoring experience that they can then use to influence mixing decisions. It’s subjective and always try before you buy. This is a pertinent question and Attack would almost always stop short of suggesting you need anything. If you lose the tracker, you can also use the camera built into your computer.
#Sonarworks vs waves nx full#
The on-screen “head” (as seen in the below image) moves with the tracker and you can turn a full 360˚ should you wish. The plug-in does come with a headtracker (just as the original Nx did) and when worn, if you move your head side to side, the listening experience will change to reflect the change in the monitor direction relative to your position. It’s just the sweet spot position that has been replicated. You can’t just walk around to check the mix from afar. Unfortunately, Abbey Road Studio 3 won’t work as a monitoring reference from the back or outside the room. They certainly had their work cut out and the result is impressive if a little perplexing. Studio 3 lived up to its reputation and its this position, the optimum mixing position of the engineer in the control room, that Waves have tried to capture as a monitoring tool for your DAW. It’s worth noting how incredible the sweet spot sounds in person. The concept is designed to give the user three choices ‘near’, ‘mid’ and ‘far’ which are modelled on measurements taken with the three most frequently used monitors: a pair of ATC SCM25 ‘near’, B&W 800D speakers ‘mid’ and the Quested Q412 system ‘far’. The Abbey Road Studio 3 plug-in is a headphone only monitoring tool that processes audio from your DAW to recreate the listening position experience in the control room of Studio 3. This question is harder than you might imagine. The results were impressive, and most certainly a great deal of fun, however, we were left curious how practical it is for making music. We sat behind the famous SSL 9000J console and ran several A/B tests between the room and the new Waves plug-in. Illustrious names such as Pink Floyd, Radiohead, Amy Winehouse and Kanye West have recorded and mixed there. Let’s not forget Studio 3 has substantial credits of its own. The Israeli company agreed, teamed up with Giles Martin and Alan Parsons and have now attempted to recreate the listening experience. However, the team at Abbey Road believe Studio 3 to be the best control room on site and possibly the world. Studio 3 is often unfairly overlooked when compared to its big sibling Studio 2 – the room that captured the world’s imagination with The Beatles’ Abbey Road album. We were there to attend the release of Wave’s latest plug-in: Waves Abbey Road Studio 3. Keeping our shoes on, we advanced onto the over Instagrammed zebra crossing and entered the revered Abbey Road studios. Two weeks ago today, we forced our way through the large group of tourists playing make-believe John, Paul, George and Ringo. Can a plug-in effectively recreate the sweet spot monitoring position of the hallowed Studio 3 at Abbey Road?